Concept

From Zero to Infinity 從無到無限

Einstein's theory of relativity posits that the birth of the universe was expanded from a young and small initial state of high density and temperature, famously known as the "Big Bang". In ancient oriental philosophy of Daoism, much like the elegance and abstraction of Einstein's E=mc², there exists a concise concept regarding the origin of the world:

"The Dao begat One;

One begat Two in opposition (the Yin and Yang);

Two begat Three;

Three begat All things." - Laozi, "Dao De Jing"

Yin-Yang (also known as Taichi), in oriental philosophy, elucidates the process of the universe's emergence from nothingness to infinity. Two types of energies, generate mutually and move incessantly. We perceive Yin-Yang’s harmonious grace, sense the flow of energy, grasp the transcendence of material, and acknowledge the boundless mysteries within the natural world.

Transcending Oppositions 不二

Beauty and ugliness, good and bad, virtue and vice — these criteria for judgment undergo changes with the era, with no absolute universality that can prevail over the ever-evolving values.

Contrary concepts, when viewed from a higher dimension, are, in fact, harmonious. For instance, life and death; due to the existence of death, we cherish life and contemplate its meaning. Contrasting notions may engage in fierce conflict, but if they can coexist harmoniously under certain circumstances, extraordinary effects can ensue.

The relationship between the mind and the world, transcends oppositions as well. Whether it be the boundless seas, desolate wilderness, tranquil village paths, or the lofty towers beneath the moonlight, everywhere can be the shrine of one’s heart. The 'self' undergoes a Nirvanic rebirth, becoming more tolerant and robust, progressing towards the destination it yearns to reach.

Movements

The 1^st Movement: Hazy Chaos 氤氳

The ethereal sky symbolizes the genesis of all things. Here, various energies blend and grow. I depict the initial splendor and richness with hazy colors, evoking chaotic mist and the lingering ink.

Sakura, bamboo, maple, and snow, the four seasonal elements indicate the change of time.

This movement draws inspiration from the color palette and the freehand drawing techniques "between semblance and non-resemblance", of the traditional Chinese ink paintings.

The 2^nd Movement: A Flower Is A Flower 花是

"A flower is not merely a flower, mist is not simply mist. It arrives like a fleeting spring dream, elusive as morning clouds with no trace to be found." - Bai Juyi, "A Flower Is Not A Flower"

The concept of "a flower is not a flower" is a proposition of Buddhist philosophy. The illusory of dreams, the transience of morning clouds, and the perplexing realm where flowers and mist intertwine, depicts a harmonious interplay of rhythm and complexity.

Within the vast universe lie numerous enigmas, where our hearts possesses the capacity to effect profound changes in many realms. If life ultimately dissipates like a fleeting illusion, can we grasp each fleeting moment and cultivate resplendent blossoms?

This movement draws inspiration from pop art, collage art as well as the traditional Chinese crafts of textile, lacquer ware and gems inlay, employing the lustrous hues of gold, silver, and bronze.

The 3^rd Movement: Ink's Carefree Walk 墨恣

In this movement, by navigating the systematic and the randomness of parameters in my code, I try to infuse each ink droplet with both order and disorder. The confluence of ink droplets constructs two calligraphic brushstrokes, depicting the contrasting realms of black and white in the Yin-Yang symbol, conveying a sense of liberated and carefree sentiment. The background of these artworks consists the rendered ink effect, and collages of marble and metallic materials.

The inspiration for this movement emanates from contemporary abstractionism, Chinese calligraphy and ink painting.

Acknowledgements

Why was I born in this era, in this land known as the Orient? Such inquiries occasionally flit through my mind, yet I have not discovered an answer. The endeavor to crystallize the musings of my mind is an entirely novel experiment. I hold the belief that philosophical perspectives can transcend borders and stir the depths of one's soul, and that there is not only one benchmark for beauty.

This series is the result of several months of hard work, and I’m lucky to have had the support of amazingly lovely people throughout this journey. Thanks to the following friends and loved ones who provided valuable feedback, support, and encouragement at various points throughout the process: my dad and mom, Chen Zhao, Jing Li, Jin Zhang, Le Feng, Lingxuan Zuo, Richard Yu, Luou Zhang, Arthur Nie, Jingfan Wang, Bek Zhou, Li Wang. A special shoutout goes to my friend Danny Feng who was kind and supportive to give me many valuable advices at the beginning of this project about how to start with code and algorithm, and to help me build and optimize this site within a very limited timeframe.

There is a term in French called "ici et maintenant", signifying "here and now". Seize upon this sensation, and thus bring forth the invisible within the depths of one's inner self. Thanks everyone––I could not have done this without you, and you have all made this art project so much more meaningful to me.